Eddie Murphy Brings Back “Dolemite”

NEW YORK (AP) — When a movie first comes in contact with an audience, strange things can happen. Take, for instance, the case of “Dolemite,” Rudy Ray Moore’s classic 1975 Blaxploitation film.

A shambling, cheaply made, mostly non-professional production seemed surely headed for the dustbin before a crowded theater got a look at it — and loved it. A cult sensation was born.

The story of that quixotic movie, and of Moore’s whole-body transformation into his famous pimp alter ego, is told in Craig Brewer’s “Dolemite Is My Name.” Led by a radiant performance by a rejuvenated Eddie Murphy, it’s a loving portrait of fly-by-the-seat-of-your-pants filmmaking and the unpredictable, transformative nature of movie theaters.

“Dolemite Is My Name” — along with 132 other world premieres — will make its own collision with moviegoers later this week at the Toronto International Film Festival. Beginning Thursday, some 245 films are set to unspool in Toronto, North America’s largest film festival — a red-carpeted omnibus of nearly all the fall’s biggest movies.

“I’m curious what an audience of film lovers will think. At least for me, it’s a love letter to that spirit of guerrilla filmmaking and independent filmmaking,” says Brewer, who grew up in Memphis, Tennessee, making shorts, as he says, with a pawn shop-bought video camera.

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Of course, the theatrical experience exalted in Toronto is under siege from a number of directions, among them Netflix, which releases some films for a shortened window in theaters and others directly to its streaming platform. For all its celebration of another age of moviemaking, “Dolemite Is My Name” is a Netflix release — an irony Brewer says isn’t lost on the streaming company.

“It was perhaps different from some of their other movies that maybe they would have been inspired to release theatrically. It’s not so much like ‘Roma’ where you’re like, ‘Oh, I wish I could see it on a large screen,’” says Brewer, whose film will open in theaters Oct. 4. “What they were seeing is, ‘Oh my God, we’ve never seen crowds react this way.’”

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